This summer I had the honor of being asked by Kodak Alaris to be on their small team of Beta Testers for the new Ektachrome 100. Today I’m sharing what I learned shooting this new stock as well as how to meter it for best results and perfect exposure!

Did you know that there is no universal stand for color film stock? Each one has it’s own formula and it’s own way of reading color. In this post, Sandra Coan share the differences between five popular color film stocks and talks about how the lab you use has a hug influence on the final outcome of your image.

In this post, Sandra Coan shares the four reasons that she love working with artificial light, even on sunny days.

I’m a big believer in knowing where your strengths are and getting help in the areas where you’re not so strong, which is precisely why I started outsourcing years ago!  Outsourcing has helped me to grow my business to where it is today. Hear what my office manager, Gabby de Janasz, has to say about outsourcing!

As a film photographer I get asked a lot about my post production process, especially when  I tell people that editing just takes just a few minutes per session. That is part of the beauty of shooting film!  If you do it right, in-camera, and send it to a good lab for processing and scanning, your post production shouldn't take very long at all. Want to see the entire process from start to finish?

This is a topic that I've never thought to write about before, but earlier this week I received an email from a follower asking if I've ever dealt with burnout and if so, how I handled it. Her email really struck a nerve.  I have struggled with burnout, and at one point even considered leaving the photography industry all together.  Want to hear my story?